The problem is, the aquarium at the Academy is basically an afterthought, stuffed into the basement, with nowhere near the square footage of its southerly rival.
It’s disturbingly dark (as opposed to serenely dark), with no straight lines – which makes for a rather disorienting visitor experience. Not to mention difficult to navigate for anyone with mobility issues.
Low lighting often makes for signs and labels that are difficult to read.
Unlike Monterey Bay Aquarium, entire wings of which are bathed in natural light, the new downstairs Steinhart Aquarium is lit only by ceiling lights. Exhibits like the Tidepool, which ideally should attempt to reproduce or at least realistically represent the experience of a real tidepool at the open ocean, instead become something you might see next to a craps table in the eternal twilight of a Las Vegas casino.
For anyone who remembers the old Steinhart Aquarium, pre-Renzo Piano rebuild, the new aquarium is a sad experience. The old Steinhart was spacious, contemplative, and actually had far more tanks with a lot more sea life. It was, and felt like, an integral part of the Academy of Sciences – and its exhibitry related a lot more to the local environment of northern California. It was successful on its own terms without trying to be something it wasn’t.